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Dan Owen reviews

Black Hawk Down

Leave No Man Behind

Distributed by
Columbia TriStar

    Cover
  • Cert: R
  • Running time: 143 minutes
  • Year: 2001
  • Pressing: 2002
  • Region(s): 1, NTSC
  • Sound: Dolby Digital 5.1
  • Languages: English, French
  • Subtitles: English, French, Chinese, Thai
  • Widescreen: 2.35:1
  • 16:9-Enhanced: Yes
  • Macrovision: Yes
  • Disc Format: DVD 5
  • Price: $27.95
  • Extras: Featurette

  • Director:

      Ridley Scott

    Screenplay:

      Ken Nolan (based on the novel by Mark Bowden)

    Cast:

      Staff Sgt. Eversmann: Josh Hartnett
      Sgt. Hooten: Eric Bana
      Ranger Spec. Grimes: Ewan MacGregor
      Lt. Col. McKnight: Tom Sizemore
      Maj. Gen. Garrison: Sam Shepard
      Ranger Spec. Nelson: Ewen Bremner
      Delta Sgt. Sanderson: William Fichtner
      Ranger Cpl. Smith: Charlie Hofheimer


Ridley Scott continues a career revival he began with Gladiator, by teaming up with infamous producing legend Jerry Bruckheimer, and taking on a contemporary war movie based on a novel by Mark Bowden. The result is a more believable and moderately intelligent movie than you'd usually expect from the Bruckheimer stable, and one that gives ample room for Scott to flex his technical muscles.

Black Hawk Down is based on a true event that took place in 1993, when 123 elite U.S. soldiers were air-dropped into Somalia to capture two Lieutenants of a renegade warlord, only for the mission to go wrong when a Black Hawk helicopter crashlands in the middle of the hostile city. The rescue operation sees comrades of the downed chopper facing a city full of heavily-armed Somali renegades in a violent battle to ensure that "no man is left behind".

Jerry Bruckheimer projects are usually high-concept movies that do massive business at the box-office because of their potent mix of incredible special-effects and gung-ho testosterone (witness Top Gun, Armageddon, Pearl Harbor and many more). Black Hawk Down certainly looks like a blatant Bruckheimer movie, but with Ridley Scott behind the camera, the movie manages to retain a greater sense of humanity and intelligence usually missing in past Bruckheimer spectacles. I wouldn't be surprised if Bruckheimer's influence was somewhat lost when pitted against the similarly focused Scott.

Scott gathers a great cast of rising stars (Josh Hartnett), relative newcomers (Eric Bana), and established old hands (Ewan MacGregor, Tom Sizemore), but they ultimately become little more than stereotypes and walking plot-devices here. Of course, 90% of this movie is dedicated to recreating 1993's U.S debacle, with little time given to developing the characters or, indeed, setting them up in the first place. All you need know about the cast, according to screenwriter Ken Nolan, is that Ewan MacGregor is anxious for battle after spending the Gulf War making coffee, and Josh Hartnett is an idealistic young soldier. Once the first half-hour of typical 'meet-and-greets' are dispersed with, Ridley Scott opts to simply film the doomed mission in true OTT Bruckheimer style.


Despite the almost 'par for the course' storytelling problems with the movie, there's simply no denying that the film delivers both visually and aurally. Scott directs with the visual prowess of a man half his age raised on MTV commercials, obviously having great fun mixing together a cacophony of directorial tricks that should prevent anyone from dragging their eyes away from the action. There are plenty of gruesome sequences (especially an eye-watering emergency operation on an injured soldier) and enough loud assaults and explosions to appease even the most feverish action movie fan.

So while the pacing is fantastic and the technical brilliance of the movie without reproach, it's difficult to truly rate Black Hawk Down as a great war movie. If Bruckheimer and Scott set out to create a visually stunning piece of contemporary showmanship - they mainly succeeded. But in doing so, their approach stops Black Hawk Down being anything more than just another flashy recreation of an event people will have seen on the news. Unlike Saving Private Ryan, there's no defining sense of humanity or underlying sadness, and no hidden depths as seen in Apocalypse Now. There just lots of action, plenty of shouting, missiles, gunfire, explosions, smatterings of gore, and some impressive helicopter crashes.

Overall then, Black Hawk Down is an enjoyable movie to watch, so long as you only consider war movies good entertainment for the inherent visual thrills and auditory ferocity cinema can deliver these days. Those hoping for some depth of character, storytelling nuance, and clever commentary on modern warfare, should perhaps look elsewhere.


Black Hawk Down on Region 1 is a 1-disc DVD release in an Amaray case. The animated menus perfectly capture the visual flair of the movie, together with some fast loading times and simple navigation of sub-menus.

Picture quality is of a very high standard, with the 2.35:1 anamorphic widescreen picture being an almost perfect transfer onto DVD. The miltaristic hues are pleasingly grungy, the desert landscapes effectively hazy, while the night sequences feature gorgeous blacks and nocturnal blues - punctuated with vibrant flashes from explosions. There's really no cause for complaint with anything the disc delivers visually, as Black Hawk Down retains the high-quality stamp all Bruckheimer movies on DVD have been blessed with so far.

The Dolby Digital 5.1 track is also a fantastic transfer to DVD, with gunshots permeating across the rear-speakers, while helicopters roar across your living room to the thumping music score that underpins the film. War films are one of the best genres to give your surround sound set-up a punishing workout, with even dialogue-driven scenes featuring background crowds or distant vehicle roars. Basically, Black Hawk Down cannot be faulted for its immersive soundmix, although the lack of a DTS mix should annoy those who are DTS-enabled.

Sadly (like a growing number of Region 1 releases this year!) the Extra Features are practically non-existent, which should upset fans of Ridley Scott and Jerry Bruckheiemer especially. A 'Special Edition' is doubtless around the corner, and the Region 2 release is already expected to be a 2-disc set with all the extra trimmings. Still, if you're more concerned with the film, and couldn't care less about bonus material, this Region 1 release is more than satisfactory.

The Extra Features you do get with this first release are: a bland making-of documentary, and some theatrical trailers for Spiderman and The One. Unlike the blurb on the back of this DVD, I don't count Scene Access and Animated Menus as extra features, obviously!

In conclusion, a good movie with an excellent transfer, but let down by a terrible lack of Extra Features. Unless you're really keen on the movie, or couldn't care less about extra material - I recommend you wait for the imminent Region 2 release which should have more extras.


FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dan Owen, 2002.

Reviewed using a Toshiba SD210e DVD Player connected to a Toshiba 32" 32ZD09B widescreen TV with Dolby Digital 5.1 sound.

DVDs reviewed by the editor are watched on a Panasonic TXW32R4 32" widescreen TV connected to either a Creative Dxr2 DVD-ROM player or Microsoft Xbox and played through a Sony STR-DB930 amplifier.

PC games reviewed by the editor are on:

  • Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
  • Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
  • Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
  • Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
  • Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP