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(In The Loop, TV: 2004: The Stupid Version, I'm Alan Partridge, The Armando Iannucci Shows, Clinton: His Struggle With Dirt, The Thick Of It, Time Trumpet, Tube Tales)
Producers:
Kevin Loader and Adam Tandy
Screenplay:
Jesse Armstrong, Simon Blackwell, Armando Iannucci, Ian Martin and Tony Roche
Cast :
Malcolm Tucker: Peter Capaldi
Simon Foster: Tom Hollander
Toby Wright: Chris Addison
Judy: Gina McKee
Lt Gen George Miller: James Gandolfini
Liza Weld: Anna Chlumsky
Bob Adriano: Enzo Cilenti
Jamie MacDonald: Paul Higgins
Karen Clarke: Mimi Kennedy
Linton Barwick: David Rasche
Sir Jonathan Tutt: Alex Macqueen
AJ Brown: Johnny Pemberton
Suzy: Olivia Poulet
Roz: Joanna Scanlan
Michael Rodgers: James Smith
Paul Michaelson: Steve Coogan
Chad: Zach Woods
New advisor: Will Smith
New MP: Imelda Staunton
In The Loop
is effectively the film version of BBC4's The Thick Of It, a fantastic semi-improvised comedy directed and
co-written by one of the best and most consistent in the business in the UK today, Armando Iannucci.
As the film begins, Radio 4's Eddie Mair talks Minister for International Development, Simon Foster (Tom Hollander), who was only
there to talk about preventable diseases, into a discussion on plans for a US invasion of the Middle East, as if that
would happen? ;)
Simon says he thinks the war is unforseeable, which leads to Malcolm to say out loud to himself, "No, you do not
think that", then calling up Radio 4 and telling them that Simon didn't actually say that... and that while they
may have heard it, he didn't actually say it. He'll also have to go on Question Time and backtrack on the issue.
Yes, Malcolm Tucker (Peter Capaldi) is in full effect, and Simon is going to find those words coming back to haunt him several times.
For those new to the series, Malcolm is the Director of Communications for No.10, aka the No.10 Enforcer/spin doctor.
He makes decisions on behalf of the Prime Minister, or at least for as long as he can get away with it.
Judy Molloy (Gina McKee) works alongside Foster as the Director of Communications for International Development,
while Toby Wright (Chris Addison, right with Capaldi) is also brought in to work with the aforementioned MP.
In the US, the key characters are Karen Clark (Mimi Kennedy), US Assistant Secretary for Diplomacy;
Liza Weld (Anna Chlumsky), one of her aides, who knows Toby from University, intimately; Linton Barwick (Sledge
Hammer's David Rasche) who has formed a secret War committee but has changed the name so no-one finds out
about it... for a while; and Lt General George Miller (James Gandolfini, below-right with Mimi Kennedy), Senior Military Assistant in the
Pentagon who has seen action in war in the past and says it's not somewhere you want to go again... "like France".
The cast is rounded off with Jamie MacDonald (Paul Higgins), who works under Malcolm; Paul Michaelson (Steve
Coogan, bottom-right with Joanna Scanlan as Roz) as a member of the public in Foster's constituency who's having a problem with a wall at his Mum's house
which is on the verge of collapsing into her garden and crushing her greenhouse - the issue being that the wall *belongs*
to Foster; and Michael Rodgers (James Smith), Director of Diplomacy, who plays his classical music far too loud for
everyone. Smith's character also worked alongside Chris Langham who appeared in the original series of six episodes
which were split into two lots of three, due to how they were made.
Obviously Chris Langham is no longer 'in the loop' as he wasn't in the two specials that followed the original six
episodes, due to his conviction. While I wouldn't make excuses for him obviously, he bared his soul on Shrink Rap
with Pamela Stephenson and was clearly regretful for what he'd done. He hadn't killed anyone, yet he's persona non
grata to the BBC. That didn't stop them hiring Leslie Grantham for Eastenders after he'd killed a taxi driver.
But I digress.
The Thick Of It always had consultants to make sure everything that goes on behaves in the same way to that in
real life for the government, and this spin-off is no exception. One subject which rears its ugly head briefly here is
that is MPs expenses and porno films. In fact, Armando Iannucci has said that when they wrote the script a year before
the Jacqui Smith story broke about her husband's viewing habits, they thought it was so outlandish and no such
thing could ever happen, and then along came Smith's husband ordering porn films on expenses just prior to
the film's release at the cinema! You couldn't make it up!
The weirdest thing is that in The Thick Of It, Chris Addison played general dogsbody Oliver Reeder...
whereas here he's called Toby Foster. Erm... why? He's basically the same character - especially since he's got the
same girlfriend! - but under a different name suddenly appears new to Malcolm. What was that change all about?
Similarly, Olivia Poulet plays his girlfriend Emma Messinger in the TV series, working alongside Michael Rodgers,
whereas here she's Suzy. Huh? This is all going to sound a bit cock-eyed when the series returns later this year.
Malcolm gets the best of the quotes with just about everything he says, while Chris Addison gets one or two and
so does Paul Higgins as Malcolm's almost-as-sweary underling, Jamie MacDonald, when he refers to Michael Rodgers'
classical aria music as "It's just vowels! Subsidised foreign fucking vowels!"
Malcolm also gets shocked into silence on a couple of occasions by high-up members of the American government, which is
the only time we've seen him quiet since the original series began!
At around 1:22 into the film, there's a moment, which I can't reveal here as it would spoil a plotline, but I'm sure
the person who admits something was also the same person in The Thick Of It who did something equally damaging,
so perhaps rather than a follow-on from the series, this film is also a slight reboot in that it's renamed two of its
characters as well.
And I never knew there was a Facebook Chess game until I heard it mentioned in this film.
Reportedly 4½ hours of footage were shot for this film, or at least that's how it came out in the
initial edit. Overall, In The Loop is very good, but less is more, and 106 minutes is rather too long. It
works better as a 30-min show or the odd 60-min special. On the TV show there's more diversity in the cast members,
whereas here it's the same people again and again.
Shot on hand-held digital cameras, this gives the right feeling to this film and keeps it perfectly in sync with
the TV series and it comes across brilliantly crisp and clear with the England office scenes looking as dull and
despressing as the flourescent lighting is meant to make it feel, and the outdoor scenes looking bright and colourful.
The film is presented in a 1.85:1 anamorphic widescreen frame. For the record, I'm watching on a Panasonic
37" Plasma screen via a Samsung BD-P1500 Blu-ray player.
The sound is in DTS 5.1 HD Master Audio Lossless and is really only used for dialogue, which comes across without a
hitch. This obviously isn't a special FX film.
The extras are as follows:
Deleted Scenes (26:59):
Stacks of scenes, split into 28 chapters, so there's far more than 28 clips in this supplmental. It's ironic that
there's far more chapters in this piece than there is in the whole of the film itself!
Interviews:
Some great ones here with Chris Addison and Gina McKee (10:54), Tom Hollander (7:37),
Peter Capaldi (9:01) and Armando Iannucci (14:02).
Script-to-screen comparison (8:25):
Script on one side and screen on the other, comparing what was in the script with what was in the final cut of the film.
Several scenes featured but not individually chaptered between them.
Trailer (1:51):
Presented in anamorphic 1.85:1.
Webisodes (12:33):
Four each for "Chad and Toby", "A Day in the Life of the State Department" and "Jamie MacDonald, The Crossest Man in
Scotland". These are all segments from either the finished film or the deleted scenes.
Audio Commentary:
from director Armando Iannucci plus Peter Capaldi, Tom Hollander, Chris Addison and Gina McKee.
Audio Description:
Another optional feature-length extra.
The menu has a small amount of animation early on before mixing a bit more with quotes from the film, there are
English subtitles but the Chaptering is, again for Optimum, appalling with just 12 over the near-two hours.
As of April 2009, Blu-rays and DVDs reviewed by the editor are watched on a Panasonic TH-37PX80B
37" Plasma TV with a Sony BDP-1500 Blu-ray player and played through a Yamaha DSP-AX820 amplifier.
PC games reviewed by the editor are on:
Since Jan 2011: Intel Quad Core Dell XPS 8100, i7 CPU 860 @ 2.80Ghz, 8Gb RAM, nVidia GeForce GTS 240, Windows 7
Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP
Blu-ray: 
In The Loop
is effectively the film version of BBC4's The Thick Of It, a fantastic semi-improvised comedy directed and
co-written by one of the best and most consistent in the business in the UK today, Armando Iannucci.
The Thick Of It always had consultants to make sure everything that goes on behaves in the same way to that in
real life for the government, and this spin-off is no exception. One subject which rears its ugly head briefly here is
that is MPs expenses and porno films. In fact, Armando Iannucci has said that when they wrote the script a year before
the Jacqui Smith story broke about her husband's viewing habits, they thought it was so outlandish and no such
thing could ever happen, and then along came Smith's husband ordering porn films on expenses just prior to
the film's release at the cinema! You couldn't make it up!
Shot on hand-held digital cameras, this gives the right feeling to this film and keeps it perfectly in sync with
the TV series and it comes across brilliantly crisp and clear with the England office scenes looking as dull and
despressing as the flourescent lighting is meant to make it feel, and the outdoor scenes looking bright and colourful.
The film is presented in a 1.85:1 anamorphic widescreen frame. For the record, I'm watching on a Panasonic
37" Plasma screen via a Samsung BD-P1500 Blu-ray player.
